Spiritual Battles and Fantasy Worlds Part 2

Garrett reflects on “epic stories” and their presence in Sacred Scripture.

This article is a continuation of my previous article with the same title, where I discussed Stephen R Donaldsen’s essay, Epic Fantasy in the Modern World, and how fantasy fiction can inform our Faith. While my previous article focused on Donaldsen’s definition of ‘fantasy’, how fantasy speaks to the human heart, and how Jesus satisfies that desire as in C.S. Lewis’ words, ‘a myth that came true’. This time around, I’d like to focus on Donaldsen’s other definition – ‘epic’. As Donaldsen himself states, the term epic is much better understood than ‘fantasy’, and indeed, a deeper look at this term can tell us much about Faith and Scripture as well.

I’d like to preface this article by saying that it’s going to be even more… ‘technical’ than what I usually write. In an article like this, context is important, and a large chunk of this article is going to be me paraphrasing and quoting stuff from other sources. But that said, I still hope that this will be an informative and interesting read. So, let’s get into it!

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Spiritual Battles and Fantasy Worlds

Garrett muses on what fantasy fiction can teach us about our faith journeys.

In 1986, a writer named Stephen R. Donaldsen published an essay called “Epic Fantasy in the Modern World”. By then a renowned fantasy author himself, Donaldsen achieved fame through his Chronicles of Thomas Covenant series, which was famous for it’s handling of moral issues. In this essay, Donaldsen elaborated on the two terms he used to define his work – ‘epic’ and ‘fantasy’. It is these two terms that I’d like to look at and evaluate, not simply because I found the essay insightful, but because I believe that the terms epic and fantasy as Donaldsen describes them find their fulfilment in Jesus (as all things eventually do).

In part 1, we’ll look at the more familiar term, fantasy. The word itself when applied to entertainment needs almost no introduction, as shown by the popularity of the Lord of the Rings series of films, and more recently, the Game of Thrones television series, which seems to owe no small part of its success to scenes of sexual violence, torture and gore. The word ‘fantasy’ conjures up images of a pseudo-medieval world where men (or women) in shining armor prance about, alongside wizards and dragons. But is there really all there is to the Fantasy genre?

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