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In the final part of the analysis, Garrett discusses the trials and responsibilities of creating art.
Welcome back to our final instalment of our analysis of G.K. Chesterton’s poem, A Christmas Song for Three Guilds! As always, the previous three parts can be found on this very site, and I highly recommend at least reading Part 1 first to provide some of the context behind my analysis. Otherwise, you might find some of the more violent imagery in the poem a little off-putting. Today, we’ll be listening to Saint Luke, the Patron Saint of Painters, as he teaches us the virtue of Prudence.
So why is Saint Luke the Patron of Painters? Wasn’t he a doctor? Well, Christian tradition has him as the first painter of religious icons, with various holy images attributed to his hand. In fact, in the medieval era, it was common for Painter’s Guilds to be known as Guilds of Saint Luke. Chesterton portrays Luke’s message as a warning to painters and those involved in the arts, exhorting them to be careful about what exactly they’re painting.
So for the final time, let’s begin our analysis!
Continue reading “A Christmas Song for Three Guilds: An Analysis Part 4”
Greg ponders on what John the Baptist means when he asks us to “make straight the path” and talks about how he sometimes confuses the path for the end goal instead of simply that: a path.
A voice cries out:
“In the wilderness prepare the way of the Lord;
make straight in the desert a highway for our God.”
In our Advent Gospels, we always hear of John the Baptist and his mission to prepare for the coming of Jesus. And part of this call is an echo of what Isaiah has foretold and what John the Baptist reaffirms in John 1:23:
“I am the voice of one crying out in the wilderness,
‘Make straight the way of the Lord”
Continue reading “Make Straight the Path”
In the following article, Chris compares the differing responses of Zechariah and Mary towards Angel Gabriel’s proclamation of Good News.
As a child, I often wondered why Zechariah, father of John the Baptist and husband to Elizabeth – Mary’s cousin – was “unable to speak” and became “mute” after his encounter with Angel Gabriel (Luke 1:20). Correspondingly, I found it even more interesting to compare the aftermath of his response to Angel Gabriel with that of Mary. Therefore, in this Advent season, I found it timely and poignant to properly articulate my thoughts juxtapose these two pivotal characters of the Advent Narrative. Why did Mary’s brother-in-law, receive such a harsh treatment from Angel Gabriel and what made his response any different from Mary’s? What lessons can we then learn from both their responses?
Continue reading “Silenced by Truth: Zechariah’s response to Angel Gabriel”
In the third part of the analysis, Garrett shows how St. Crispin teaches us the virtue of humility.
Welcome to Part 3 of our analysis of G.K. Chesterton’s A Christmas Song for Three Guilds! Part 1 and Part 2 can be found elsewhere on this blog. I highly recommend giving a read through to Part 1 at least as over there I went through some important principles to take note of when reading this poem, especially on Chesterton’s use of violent imagery. In Part 3, we’ll be look at the second guild, the Shoemakers, who are addressed by their patron, Saint Crispin!
Now, Saint Crispin is a little obscure, so perhaps a bit of an introduction is in order. Crispin and his brother Crispinian are two martyrs from the time of the early Church, that mysterious, legendary group that I wrote about last month. The two brothers went to preach the Gospel in Roman Gaul, that is to say, modern-day France. Along the way, they earned their keep by making shoes, much like how Saint Paul supported himself through tent-making. Eventually, they were captured in the persecutions of the Emperor Diocletian and martyred for their Faith. So the legend goes.
What we are learning today from Saint Crispin’s address is the virtue of humility. So let’s get right into it!
‘St. Crispin to the shoemakers said on a Christmastide:
“Who fashions at another’s feet will get no good of pride.’
Continue reading “A Christmas Song for Three Guilds: An Analysis (Part 3)”
The analysis continues as Garrett moves on to Saint Joseph’s address to the Carpenter’s Guild.
If you’re coming here after reading Part 1, welcome back! If not, do be aware that this is Part 2 of four-part series where I’ll be analysing G.K. Chesterton’s A Christmas Song for Three Guilds. We’re taking it one stanza at a time, and the first part does establish some very important context for us while reading this poem. So I’d highly recommend giving it a read-through to avoid any confusion. Part 2 will still be here when you’re done!
In Part 1, we talked about the birth of Jesus being a challenge to us to lead inspiring Christian lives, no matter where we are in life or what profession we are in. In this next part, we will be examining this through the life of St. Joseph, the foster-father of Jesus, and whom we know of course, Jesus inherited his first profession from. So who better to look to when asking how we can live authentic Christian lives in the secular world? Without further ado, let’s dive into the poem, and let St. Joseph teach us a thing or two about the virtue of Kindness.
Continue reading “A Christmas Song for Three Guilds: An Analysis (Part 2)”
Garrett begins an analysis of Chesterton’s poem, “A Christmas Song for Three Guilds”.
What does Advent mean to us, on a personal level? How does this brief season, where we prepare for the coming of Jesus, relate to how we live our lives for the rest of the year? Before the dawn of Advent proper, we celebrate the Feast of Christ the King, where we recognize the sovereignty of Jesus in our lives, in preparation for his coming as the newborn king. But many find this idea of Jesus as ‘King’ problematic – in a democratic era, kingship can easily be seen as something oppressive and tyrannical. Therefore in this Advent season, I’d like to turn to G.K. Chesterton’s poem A Christmas Song for Three Guilds, which I believe suggests a much more egalitarian idea of the Kingdom of God than we are likely to picture.
Continue reading “A Christmas Song for Three Guilds: An Analysis (Part 1)”
Chris shares a bit more about the inn-keeper in the Advent narrative and wonders whether all of us are sometimes inn-keepers towards the Holy Family as well.
“While they were there, the time came for her to deliver her child. And she gave birth to her firstborn son and wrapped him in bands of cloth, and laid him in a manger, because there was no place for them in the inn.” – Luke 2:6-7
I often wonder how Joseph must have felt when he received the news that there was “no place” for him and his pregnant wife from the innkeeper. Having travelled so many hours, in probably harsh and treacherous conditions, Joseph must have experienced immense disappointment, frustration and anger. Joseph possibily even panicked. Did he have a backup plan? He and his wife could not possibily stay on the streets right? And how about pregnant Mary? Surely traveling in her physical state must have been awfully tiring and painful. I wonder whether she cried out in helplessness upon hearing that there was “no place” for her and her husband. I wonder whether Joseph and Mary felt hopelessness and despair. Is it not interesting, then, to briefly ponder about how the Advent story – the often overly-cherry, merry-making and consumerist-laden narrative – began as a tale of rejection? On hindsight, would the innkeeper have created space and made room for Jesus, Mary and Joseph, should he have realised that he was actually rejecting the Holy Family?
Continue reading “Placing the Inn Keeper in the Advent Narrative”
Garrett reflects on what we can learn from Herod’s bad example as we move into the Advent season.
Last December, I went with a group of Catholic university friends on a mission trip to Cambodia, to an education centre run by the Marist brothers. I remember vividly one item on the agenda in particular: to put up a Nativity play to entertain the kids. It was at our lodging one night when the director of the play announced the roles, after discussing with the trip leader. And lo and behold, the director revealed, yours truly was to play Herod.
Now, I admit I’ve always been somewhat thin-skinned and sensitive, so my first instinct was hurt and shock at being asked to play the ‘villain’ of the Nativity story. But as I prepared for the role, and looking back on that time with the benefit of hindsight, I find myself having to accept an uncomfortable truth – that old Herod and I may have more than a little in common. As we draw nearer to Advent once again, I offer this short reflection in the hope that it may provide some insight into the common pitfalls that may occur as we prepare ourselves spiritually for the birth of Our Lord.
Continue reading “Playing Herod: An Advent Reflection”